G-Casper Pro reads your shooting schedule and drafts Call, Makeup, On-Set, and Lose At times for every cast member. Times are calculated from scene order and configurable page-based duration estimates. You review and accept — or adjust and override.
When your schedule gets revised, re-import the updated file without losing any call sheet data you've already entered. A 4-step wizard detects which scenes moved, merged, or were added — then applies changes while preserving your work.
Import your Movie Magic 6 & 10, G-Casper & Casper Excel, or USS schedule once and G-Casper Pro generates a call sheet for every shoot day automatically. Scenes, cast, banner strips, and company moves all come through.
Assign background actors to scenes, and G-Casper Pro aggregates food restrictions, meal counts, and performer details automatically. No more tallying dietary needs by hand across multiple BG groups.
Set one call time per department and apply it to every member instantly. The fastest way to build today's crew call sheet when everyone in a department shares the same call.
Click checkboxes on the DOOD grid to assign which crew work which days. Status codes like SW, W, WF auto-calculate based on your selections. Great for planning ahead across multiple shoot days.
| Crew | Week 1 Mon Apr 14 | Tue Apr 15 | Wed Apr 16 | Thu Apr 17 | Fri Apr 18 | Week 2 Mon Apr 21 | Tue Apr 22 | Wed Apr 23 | Thu Apr 24 | Fri Apr 25 | Total | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Camera | ||||||||||||
| Sarah Chen | 7 | |||||||||||
| Mike Torres | 6 | |||||||||||
| Sound | ||||||||||||
| Emily Park | 4 | |||||||||||
| Grip & Electric | ||||||||||||
| James Liu | 7 | |||||||||||
| Ana Rivera | 1 | |||||||||||
| Hair & Makeup | ||||||||||||
| Tom Walsh | 3 | |||||||||||
Set crew call times as offsets from the general call. When the general call changes, every offset updates automatically. No more manually adjusting 40 crew times because call moved by 30 minutes.
A real-time readiness dashboard that shows what's complete, what's missing, and what needs attention before the call sheet goes out. Your single view into the state of every shoot day.
Automatic color coding that visually distinguishes every INT/EXT and Day/Night combination on your call sheet. Scenes are instantly recognizable without reading a word.
Copy all crew call times from one shoot day to multiple future days in a single action. Set up a template day, then stamp it across your schedule. Different templates for skeleton days, B-unit days, and more.
These are live in the Private Beta today. Each has a detailed guide in the Help Center.
Compliant call and wrap times based on union rules and minor age-group limits.
Color-coded scene strips with locations and page counts, built from your schedule.
PDF-based import from Movie Magic. No custom report format needed.
Visual flags on the preview pinpointing missing data before you send.
Visual clock interface for setting times with click-and-drag precision.
Hourly global forecasts from pre-call through wrap.