G-Casper Pro gives the 2nd AD on a micro-budget feature the same tools a studio AD uses. No reformatting a spreadsheet at midnight. Your crew gets a professional call sheet and you get your prep time back.
Small crew, tight schedule, no full-time office staff. G-Casper Pro handles the paperwork so the AD can focus on the floor.
Import the schedule and every shoot day gets a draft call sheet in one pass. Crew calls are stored as offsets from general crew call, so moving the call moves the sheet.
How the import builds each dayEach person gets a text with their own call time and a private link to the call sheet on their phone. Email goes out from the same dialog with the PDF attached. No PA driving paper around town.
SMS and email distributionIndie shoots move locations often. G-Casper Pro charts the forecast for each day's basecamp on the call sheet front and keeps re-checking it after the sheet is sent.
Weather alerts and radarUnion indie shoots get Exhibit G for each day, minors' hours checked against their age group, and a rate menu with the Ultra Low, Moderate Low and Low Budget minimums on the Producer plan.
SAG-AFTRA low budget shootsIndie ADs build their book one production at a time. Ghost Mode swaps names and contact details for placeholders, so you can share your call sheet work without exposing your crew.
How Ghost Mode worksIf you have been using the free G-Casper Google Sheet, your crew, cast and schedule import directly. Movie Magic Scheduling 6 and 10 PDFs and USS files work too.
Coming from Movie MagicThe message carries the person's name, the crew call and a private link. The link opens the call sheet in the phone's browser. Nobody installs anything.
Emily Park: no phone number, skipped
Everyone gets their own name, the crew call and a private link. Questions come back to Priya Nair.
288 / 306 · 2 textsSending is simulated. No real text message is sent.
Turn Ghost Mode on before a screenshot and the structure stays while the people disappear. Turn it off and everything comes back as it was.
| SCENES | PAGES | SET & DESCRIPTION | D/N | CAST | LOCATIONS |
|---|---|---|---|---|---|
4 | 2 3/8 | INT. BAILEY HOUSE - KITCHEN Mary tells George about the house. | D1 | 1, 2 | Stage 4 |
7 | 1 1/8 | EXT. MAIN STREET George runs past the bank. | D1 | 1 | Stage 4 |
12 | 7/8 | EXT. TRAIN STATION - PLATFORM Harry steps off the train. | D2 | 1, 4 | Stage 4 |
15 | 1 4/8 | INT. MARTINI'S BAR George drinks alone. | D2 | 1, 5 | Stage 4 |
| TOTAL PAGES | 5 7/8 | ||||
| ID | CHARACTER | CAST | STATUS | CALL |
|---|---|---|---|---|
| 1 | GEORGE | James Stewart | W | 6:30 AM |
| 2 | MARY | Donna Reed | W | 7:00 AM |
| 3 | POTTER | Lionel Barrymore | SW | 9:30 AM |
A 2nd AD juggling multiple departments on a no-budget short deserves the same call sheet tools as a 2nd AD on a network show.
G-Casper Pro is built by working ADs. Every feature comes from a real problem on a real production.
Pricing is a small monthly base plus a rate for each shoot day you actually use, scaled by crew size. Every new account gets its first 3 shoot days free.
No. Crew get a text or an email with a private link, and the call sheet opens in the phone's browser.
Yes. G-Casper Pro imports the original G-Casper and Casper Excel templates, with a column mapping step so you can confirm the fields before anything is written.
G-Casper Pro is in private beta. Join the waitlist and get your first 3 shoot days free when access opens.