An Ultra Low Budget feature still owes SAG-AFTRA an Exhibit G every day, still has to watch a minor's hours, and still pays meal penalties. It usually has no office staff to catch any of it. G-Casper Pro drafts the paperwork from the call sheet and flags the problems early. The AD still signs off on every figure.
Exhibit G, minors and meals are on the AD plan. Deal rates against the minimums need the Producer plan.
One form per day for every performer on the call sheet, with times drafted from it. Approve or type over them during the day and print for signatures at wrap. Exhibit G also exports to Excel.
SAG Exhibit G formsSet the show's agreement in Globals and the Cast DOOD rate menu leads with it: Ultra Low Budget, Moderate Low Budget, Low Budget Theatrical, Short Project, Student Film, Micro-Budget or New Media. Pick a minimum and the figure carries a chip naming where it came from.
Cast rates and dealsSet a performer's age group on the Cast tab. Their saved CALL to LOSE @ is measured against the limit for that group in Globals. Past 90% is a warning, over it is an error. Rest, meals and schooling stay with your studio teacher.
Minor work hoursThe call sheet flags a lunch set more than six hours after crew call, so you can move it before the sheet goes out. On the day, penalties are recorded per performer on the Exhibit G.
Meal penaltiesCALL, BLK/REH, SET and LOSE @ come from the scene order, each actor's HMU time and the blocking lead. Those drafts feed the Exhibit G, so the form starts close to what happened.
Drafted cast timesThe minimums table in Globals is editable, stored per show, and has a Reset to latest known rates button for when you have typed over something you should not have.
SAG-AFTRA minimum ratesDrafted from the call sheet, the DOOD and Globals. Exhibit G uses its own status letters, where T means Test.
SELECT FROM DROP-DOWN LIST WORK - W REHEARSAL - R FITTING - FT TRAVEL - TR START - S HOLD - H TEST - T FINISH - F | Report Makeup Wardrobe | WORK TIME | Dismiss Makeup Wardrobe | MEALS | TRAVEL TIME | Stunt Adj. | Minors Tutoring Time | WARDROBE | Forced Call | MPVs | PERFORMER'S SIGNATURE | Objection | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Report On Set | Dismiss On Set | ND Meal | 1ST MEAL | 2ND MEAL | Leave for Location | Arrive on Location | Leave Location | Arrive at Studio | No. of Outfits Provided | |||||||||||||||
In | Out | Start | Finish | Start | Finish | |||||||||||||||||||
| CAST | MINOR? | CHARACTER | ||||||||||||||||||||||
| James Stewart | George Bailey | SW | 6:00 AM | 7:00 AM | 7:15 PM | 7:35 PM | 12:30 PM | 1:00 PM | 2 | 0/0 | ||||||||||||||
| Donna Reed | Mary Hatch | SW | 6:00 AM | 7:00 AM | 7:15 PM | 7:35 PM | 12:30 PM | 1:00 PM | 2 | 0/0 | ||||||||||||||
| Lionel Barrymore | Mr. Potter | W | 8:00 AM | 8:30 AM | 6:45 PM | 7:05 PM | 12:30 PM | 1:00 PM | 0/0 | |||||||||||||||
| Henry Travers | Clarence | W | 9:00 AM | 9:15 AM | 6:00 PM | 6:20 PM | 12:30 PM | 1:00 PM | 0/0 | |||||||||||||||
| Thomas Mitchell | Uncle Billy | W | 7:30 AM | 7:45 AM | 5:30 PM | 5:50 PM | 12:30 PM | 1:00 PM | 0/0 | |||||||||||||||
| Karolyn Grimes | Zuzu Bailey | W | 8:00 AM | 8:30 AM | 12:00 PM | 12:20 PM | 1 | 0/0 | ||||||||||||||||
| Frank Faylen | Ernie | WF | 8:30 AM | 8:45 AM | 4:00 PM | 4:20 PM | 12:30 PM | 1:00 PM | 0/0 | |||||||||||||||
| Ward Bond | Bert | H | ||||||||||||||||||||||
Daily or weekly minimums beside the deal type, or a custom figure. The chip turns amber when the minimum has moved since it was picked.
| ID | Age | Deal | Rate | Signed | Type | WEEK 1 | WEEK 2 | Notes | Total | Total Paid | Total LTP | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
D1Wed9/10 | D2Thu9/11 | D3Fri9/12 | Pay | D4Mon9/15 | D5Tue9/16 | D6Wed9/17 | Pay | |||||||||||||
| 1 | ANA | SW | W | H | W | W | WF | 5 | $2,800 | $2,800 | ||||||||||
| 2 | GEORGE | - | SW | W | - | - | WF | 3 | - | $2,502 | ||||||||||
| 3 | YOUNG ANA | - | - | - | - | SWF | - | 1 | - | - | ||||||||||
A late lunch or a minor over their hours shows as a flag beside the row. Flags are screen only and never print.
| SCENES | PAGES | SET & DESCRIPTION | D/N | CAST |
|---|---|---|---|---|
4 | 2 3/8 | INT. BAILEY HOUSE - KITCHEN Mary tells George about the house. | D1 | 1, 2 |
7 | 1 1/8 | EXT. MAIN STREET George runs past the bank. | D1 | 1 |
12 | 7/8 | EXT. TRAIN STATION - PLATFORM Harry steps off the train. | M | 1, 4 |
30 | 1 | D | ||
| TOTAL PAGES | 5 3/8 | |||
| ID | CHARACTER | CAST | STATUS | CALL |
|---|---|---|---|---|
| 1 | GEORGE | James Stewart | W | 6:30 AM |
| 2 | MARY | Donna Reed | W | 7:00 AM |
| 4 | HARRY | Todd Karns | SW | |
| 5 | MARTINI | Bill Edmunds | SWF | 9:00 AM |
Drafts at half opacity. You accept, type over or ignore each one.
| ID | CHARACTER | CAST | CALL | BLK/REH | SET | LOSE @ |
|---|---|---|---|---|---|---|
1 | NORA | Dana Whitfield | 7:00 AM | 7:00 AM | 8:00 AM | 7:15 PM |
2 | SAM | Marcus Bell | 8:45 AM | 9:15 AM | 10:15 AM | 3:30 PM |
3 | LILY | Ava Moreno | 8:30 AM | 9:15 AM | 10:15 AM | 7:15 PM |
Theatrical (Basic Agreement), Television, Low Budget Theatrical, Moderate Low Budget, Ultra Low Budget, Short Project, Student Film, Micro-Budget and the New Media agreements.
No. It drafts the Exhibit G, flags lunches and minors' hours against the numbers in Globals, and tracks penalties. Whether a day complies with your agreement is still a judgment for the AD, the producer and the union rep.
Yes. Add the business rep to the reps list when you send by email. They receive the call sheet and do not appear on it.
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