For Commercial Production

Fast Call Sheets for
Commercial Shoots

Commercial production moves faster than narrative. A one-day automotive spot or a three-day fashion campaign needs a precise, professional call sheet in hours. G-Casper Pro handles the build and the distribution so the 2nd AD can focus on the talent logistics.

Built for the Pace of Commercial Production

Short schedules, multiple talent groups, agency on set. G-Casper Pro keeps the call sheet tight and the communication clean.

Build a full call sheet in under an hour

Department speed scheduling puts a whole department on one call in a single step, and crew calls follow general crew call when it moves. A one-day spot goes from blank to sent in well under an hour once the crew list is in.

Department Speed Schedule

Precise talent call times

Commercial days often have several talent groups on staggered calls. Each performer carries their own call, and the warnings overlay flags a performer with no scene on the day or a minor past their hours.

Call sheet warnings

Weather integration for outdoor spots

Outdoor spots live and die by the weather. G-Casper Pro charts the forecast for the basecamp on the call sheet front, from six hours before crew call, with sunrise and sunset marked.

Granular weather reports

Agency-ready PDF output

The PDF matches the sheet on screen, with your production and client logos in the header. The Commercial density preset is sized for a small crew.

Layout density presets

SMS and email to cast and crew

Talent gets their call the moment it is locked. Each person receives a text with their own call time and a private link, and the delivery report shows who received and who opened it.

Delivery tracking

Notices where the agency will read them

Info Boxes sit anywhere on the front or back: client on set, closed set, stunt or vehicle notes. Start from a template and drag it into place.

Info Boxes

Movie Magic import

Some commercial producers schedule in Movie Magic. G-Casper Pro imports Movie Magic Scheduling 6 and 10 PDFs so the 2nd AD is not re-entering data the producer already has.

Movie Magic to call sheets

Agency and client copies

Add agency producers and client contacts to the email as reps. They get the sheet and its attachments without appearing on the crew list.

Sending by email

A One-Day Spot, Start to Send

Density That Fits the Crew

Commercial, Default or Blockbuster. Pick the preset that fits the head count and the whole sheet follows, PDF included.

CS Back Layout
Density
Layout Preview
Estimated Crew Capacity
2-Column Layout:~91 crew
3-Column Layout:~154 crew
3 columns active · US Legal 8.5×14″
CS Back crew rows at 20px a row
60 crew on this sheet
Title
Name
Call
Production
Producer
Dana Whitfield
O/C
UPM
Luis Ferrer
7:00 AM
Prod. Coordinator
Kim Osei
O/C
Executive Producer
Alex Alvarez
O/C
Co-Producer
Alex Brennan
O/C
Assistant Directors
1st AD
Marcus Bell
6:30 AM
2nd AD
Priya Nair
5:30 AM
2nd 2nd AD
Jordan Lake
5:30 AM
Key PA
Ben Ito
5:00 AM
2nd Team PA
Avery Lindqvist
5:30 AM
Script
Script Supervisor
Emily Park
7:00 AM
Script Supervisor Asst.
Emerson Whitlock
7:00 AM
Camera
DP
Mike Rodriguez
7:00 AM
A Cam Operator
Rafael Ortiz
7:00 AM
1st AC
Sarah Chen
6:30 AM
2nd AC
Lily Grant
6:30 AM
DIT
Omar Haddad
7:00 AM
B Cam Operator
Cameron Jensen
7:00 AM
Sound
Mixer
Ruth Adler
7:00 AM
Boom Operator
Kai Moreno
7:00 AM
Sound Utility
Casey Underwood
7:00 AM
Video
Video Assist
Skyler Holt
7:00 AM

Info Boxes

Draggable, resizable notes with ten built-in templates. Lock one once it sits where you want it.

Click a box to select it, double-click to edit its text.
IT'S A WONDERFUL LIFE
Call Sheet
SCENESPAGESSET & DESCRIPTIOND/NCASTNOTES
EST.
LOCATIONS
4
2 3/8
INT. BAILEY HOUSE - KITCHEN
Mary tells George about the house.
D11, 2Notes...1:30
7
1 1/8
EXT. MAIN STREET
George runs past the bank.
D11Notes...0:45
12
7/8
EXT. TRAIN STATION - PLATFORM
Harry steps off the train.
D21, 4Notes...0:40
15
1 4/8
INT. MARTINI'S BAR
George drinks alone.
D21, 5Notes...1:00
21
3 2/8
INT. BUILDING & LOAN - OFFICE
Potter makes his offer.
D31, 3Notes...2:00
22
1 5/8
EXT. BRIDGE
Clarence jumps first.
D31, 6Notes...1:15
TOTAL PAGES10 6/8Total Time Estimate7:15
💥 STUNTS / PYROTECHNICS

HOT SET - RESTRICTED AREA

Stunt Coordinator: [Name]
SFX Supervisor: [Name]
Fire Safety Officer: [Name]
Set Medic: [Name]

SAFETY BRIEFING MANDATORY before any stunt/pyro work

• Only essential crew within the safety perimeter
• Eye and ear protection required in designated zones
• Fire extinguishers staged at all exits
• All squibs/charges are LIVE after the "Hot Set" call
• Ambulance on standby
• Clear verbal countdown before every take

No cell phones in pyro zones. Radio silence during countdowns.

The Send

Recipients for the day, a reps list, extra attachments such as sides or a map, and seven seconds to undo after you press Send.

Send Call Sheet - Day 4
Drafting email to 6 crew, 2 reps
An AD on a one-day automotive spot should spend their prep hours on the talent logistics, not the call sheet formatting.

G-Casper Pro is built by working ADs. Every feature comes from a real problem on a real production.

Questions

Is G-Casper Pro worth it for a single-day commercial?

Pricing is per shoot day, so a one-day spot pays for one day. Every new account gets its first 3 shoot days free.

Can the agency get the call sheet without being on it?

Yes. Add them to the reps list in the send dialog. They receive the email and attachments, and their names do not print on the sheet.

Your Next Campaign, On Time

G-Casper Pro is in private beta. Join the waitlist and get your first 3 shoot days free when access opens.