Day one at Kessler Point Light. 59 of us on set.
- Pages
- 4 6/8
- Scenes
- 5
- Call
- 6:00 AM
- Wrap
- 6:36 PM
By the last day, the call sheets, the production reports, the weather and the board hold the whole story of a shoot: who was called, how long the days ran, where the unit parked, the day the rain came in. The Wrap reads them and lays it all out as one page on the Welcome tab. It fills in as each day is shot, and it goes out as a link the crew can open without an account.
The Wrap comes with every production. Its money views are for the Producer tier.
The page opens on the show's headline numbers: shoot days, how many of us, pages, locations, and one sentence that adds up the scenes, setups, company moves, background days and lunches. Under that sits every day on the board as a tile, filled with that day's scenes in their G-Matrix colours. Then the records the unit set, the averages an AD quotes at the next show's prep meeting, and the charts: crew call to wrap for each day, and who was on set. Any section copies out as plain text, so the records can go to the group chat without the rest of the page. Present puts the whole thing full screen for the wrap party projector.
Across 15 days we shot 66 scenes, turned around 397 setups, made 1 company move, brought in 305 background days, sat down to 1,232 lunches and put in about 10,426 hours of work between us.
Hover a day for its story.
Each location gets a pin in the colour of what was mostly shot there, numbered with the first day the unit worked it. When the map scrolls into view it plays the shoot forward one day at a time. The camera starts close on the first location and pulls back only when the company goes somewhere the frame cannot hold, with each company move drawn in as a dashed arc. Base camp and crew parking hang off the day's pin where they have coordinates. Hover or tap a place the unit went back to and it bursts into every day spent there. A location that was never geocoded gets no pin; it is listed under Also shot at.
A card for every shot day, led by the line that says what set that day apart: the biggest call, the latest wrap, the day it rained, page 50 going in the can. A day that set nothing reads plainly. Each card carries the weather, the scenes as coloured chips, the headcount split into crew, cast and background, and the call and wrap. The figures are the production report's where it has totals. Until it does, pages and scenes come from the schedule and show faded, so a day with a late report is easy to spot.
Day one at Kessler Point Light. 59 of us on set.
Our first day at Anchor Motel.
We picked up and moved mid-day.
We shot right through the rain.
Page 25 went in the can.
We got 6 scenes, the most in a single day.
We hit the halfway mark.
The hottest day: 61°.
The biggest call of the shoot: 189 of us on set.
The longest day of the shoot: 13.5 hours from call to wrap.
We shot right through the rain.
Our first day at Cape Road Diner.
The last day. 79 of us there to see it through.
Producer is a view of its own, and it only appears for members on the Producer tier. It takes the Burn Rate figures for the days shot: burned to date, the projected total, the cost per page, per shoot day and per person-day, and the daily burn as a chart with each day's crew, cast, background and logistics split. Overtime comes off the Hot Costs reports as hours past the scheduled day, meal penalties, and the count of days that ran past 12 hours. Both come from the same engines as those tabs, so the numbers match.
Hover a bar for the day's split. The figures in this demo are made up; in the app they are the Burn Rate and Hot Costs numbers for the same days.
Publish the Wrap as a link anyone can open, no account needed. A show can hold up to 20 links, each with its own name and its own sections: one for the crew's group chat, one for the producers with the money on it. The money and overtime sections start switched off and are only offered to someone on the Producer tier. The server checks that again when the link is saved. Names in the credits can stay in or come out, and contact details and rates never go on a link at all. A link is a snapshot of the day it was published: Update republishes over the same URL, and Unpublish stops it working for everyone. Messaging apps cache the preview card, so after an update the new card shows on new posts of the link.
Once the last shoot day's call sheet has gone out and that day has run its full length, the next person to open the show gets slates and confetti, a card that says That's a wrap, and a button into the Wrap. The length of the day is the Avg Day Shoot Duration from Globals, counted from general crew call on the production's clock. Gone out means sent by email or SMS, or the recipients copied or drafted to from your own email app. The party shows once per production in each browser, and stops being offered 60 days after the wrap, so opening an old show next year does not set it off. Opening a shared link throws one too.