The Wrap

The whole shoot on one page, built from the paperwork you already did.
For the crew who made it.

By the last day, the call sheets, the production reports, the weather and the board hold the whole story of a shoot: who was called, how long the days ran, where the unit parked, the day the rain came in. The Wrap reads them and lays it all out as one page on the Welcome tab. It fills in as each day is shot, and it goes out as a link the crew can open without an account.

The Wrap comes with every production. Its money views are for the Producer tier.

The Wrap Story

The page opens on the show's headline numbers: shoot days, how many of us, pages, locations, and one sentence that adds up the scenes, setups, company moves, background days and lunches. Under that sits every day on the board as a tile, filled with that day's scenes in their G-Matrix colours. Then the records the unit set, the averages an AD quotes at the next show's prep meeting, and the charts: crew call to wrap for each day, and who was on set. Any section copies out as plain text, so the records can go to the group chat without the rest of the page. Present puts the whole thing full screen for the wrap party projector.

Fills in as days are shot
Drawn in G-Matrix colours
Copy any section as text
Full screen with Present
Open the Wrap on
Harrow Lane PicturesMar 2 – Mar 20, 2026Directed by Dana Okafor

Low Tide at Kessler Point

That's a wrap. We did it.
0
Shoot days
every day on the board
0
Of us
72 crew members, 12 performers
0
Pages
of 73 5/8 in the script
0
Locations
1 company move

Across 15 days we shot 66 scenes, turned around 397 setups, made 1 company move, brought in 305 background days, sat down to 1,232 lunches and put in about 10,426 hours of work between us.

Every day on the boardCrewADs

The shoot

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15

Hover a day for its story.

Where We Shot

Each location gets a pin in the colour of what was mostly shot there, numbered with the first day the unit worked it. When the map scrolls into view it plays the shoot forward one day at a time. The camera starts close on the first location and pulls back only when the company goes somewhere the frame cannot hold, with each company move drawn in as a dashed arc. Base camp and crew parking hang off the day's pin where they have coordinates. Hover or tap a place the unit went back to and it bursts into every day spent there. A location that was never geocoded gets no pin; it is listed under Also shot at.

Plays the shoot day by day
Company moves drawn in
Base camp and parking
Zoom, pinch and pan
6 locationsCrewADs

Where we shot

1 company move

Day by Day

A card for every shot day, led by the line that says what set that day apart: the biggest call, the latest wrap, the day it rained, page 50 going in the can. A day that set nothing reads plainly. Each card carries the weather, the scenes as coloured chips, the headcount split into crew, cast and background, and the call and wrap. The figures are the production report's where it has totals. Until it does, pages and scenes come from the schedule and show faded, so a day with a late report is easy to spot.

A headline for each day
The standout days filter
Weather on every card
Report figures first
CrewADs
1
Mon, Mar 2
Kessler Point Light
Partly Cloudy
52° / 41°

Day one at Kessler Point Light. 59 of us on set.

Day one
12356
54 crew · 5 cast
Pages
4 6/8
Scenes
5
Call
6:00 AM
Wrap
6:36 PM
2
Tue, Mar 3
Kessler Point Light
Mostly Cloudy
54° / 43°
78910
55 crew · 4 cast · 6 background
Pages
3 7/8
Scenes
4
Call
6:00 AM
Wrap
6:30 PM
3
Wed, Mar 4
"Room 12"
Anchor Motel
Cloudy
50° / 40°

Our first day at Anchor Motel.

New location
1415161718
56 crew · 6 cast · 12 background
Pages
5
Scenes
5
Call
7:00 AM
Wrap
7:00 PM
4
Thu, Mar 5
Anchor Motel
Overcast
51° / 39°

We picked up and moved mid-day.

Company move
1920214445
57 crew · 7 cast · 18 background
Pages
5
Scenes
5
Call
7:00 AM
Wrap
7:24 PM
5
Fri, Mar 6
The Cannery
Rain
48° / 42°

We shot right through the rain.

RainNew location
23242526
58 crew · 5 cast · 24 background
Pages
4 5/8
Scenes
4
Call
6:30 AM
Wrap
7:18 PM
6
Mon, Mar 9
The Cannery
Light Rain
53° / 44°

Page 25 went in the can.

Page 25Rain
27282930
56 crew · 6 cast · 30 background
Pages
4 3/8
Scenes
4
Call
6:30 AM
Wrap
6:42 PM
7
Tue, Mar 10
Stage 2
Partly Cloudy
55° / 42°

We got 6 scenes, the most in a single day.

Most scenesNew location
313233343536
52 crew · 8 cast
Pages
6 3/8
Scenes
6
Call
7:00 AM
Wrap
6:30 PM
8
Wed, Mar 11
"The kitchen fight"
Stage 2
Sunny
57° / 45°

We hit the halfway mark.

HalfwayMost pagesMost setups
3738394041
51 crew · 6 cast · 4 background
Pages
7 1/8
Scenes
5
Call
7:00 AM
Wrap
6:18 PM
9
Thu, Mar 12
Stage 2
Clear
61° / 46°

The hottest day: 61°.

Hottest dayShortest day
42434647
50 crew · 5 cast
Pages
4 4/8
Scenes
4
Call
7:30 AM
Wrap
6:00 PM
10
Fri, Mar 13
"The parade"
Riverwalk
Partly Cloudy
58° / 44°

The biggest call of the shoot: 189 of us on set.

Biggest callEarliest callBiggest crowdPage 50New location
48495051
62 crew · 9 cast · 118 background
Pages
5 2/8
Scenes
4
Call
5:30 AM
Wrap
6:48 PM
11
Mon, Mar 16
Riverwalk
Clear
55° / 36°

The longest day of the shoot: 13.5 hours from call to wrap.

Longest dayLatest wrapNight workColdest day
52535455
60 crew · 6 cast · 45 background
Pages
4 2/8
Scenes
4
Call
4:00 PM
Wrap
5:30 AM
12
Tue, Mar 17
The Cannery
Showers
49° / 41°

We shot right through the rain.

Rain
56575859
55 crew · 5 cast · 20 background
Pages
4 2/8
Scenes
4
Call
10:00 AM
Wrap
10:30 PM
13
Wed, Mar 18
Cape Road Diner
Mostly Cloudy
52° / 40°

Our first day at Cape Road Diner.

New location
60616263
54 crew · 7 cast · 16 background
Pages
4 4/8
Scenes
4
Call
8:00 AM
Wrap
7:42 PM
14
Thu, Mar 19
Stage 2
Cloudy
54° / 43°
64656667
53 crew · 6 cast · 2 background
Pages
5 1/8
Scenes
4
Call
7:00 AM
Wrap
6:36 PM
15
Fri, Mar 20
Kessler Point Light
Partly Cloudy
51° / 42°

The last day. 79 of us there to see it through.

Last day
6869704
61 crew · 8 cast · 10 background
Pages
4 5/8
Scenes
4
Call
6:30 AM
Wrap
7:12 PM

The Producer's Numbers

Producer is a view of its own, and it only appears for members on the Producer tier. It takes the Burn Rate figures for the days shot: burned to date, the projected total, the cost per page, per shoot day and per person-day, and the daily burn as a chart with each day's crew, cast, background and logistics split. Overtime comes off the Hot Costs reports as hours past the scheduled day, meal penalties, and the count of days that ran past 12 hours. Both come from the same engines as those tabs, so the numbers match.

Producer tier only
Burn Rate figures
Cost per page and day
Overtime and meal penalties
Producer tier only
Producers only. Left out of shared links unless you choose it.Producers

The shoot in money

$0
Burned
across 15 days
$0
Projected total
every day accounted for
Cost per page
$17,916
73 5/8 pages shot
Cost per shoot day
$87,940
average burn
Cost per person-day
$1,071
1,232 person-days
Daily burnPeak: Day 10, $117k
$0$50k$100k$150k123456789101112131415

Hover a bar for the day's split. The figures in this demo are made up; in the app they are the Burn Rate and Hot Costs numbers for the same days.

Sharing the Wrap

Publish the Wrap as a link anyone can open, no account needed. A show can hold up to 20 links, each with its own name and its own sections: one for the crew's group chat, one for the producers with the money on it. The money and overtime sections start switched off and are only offered to someone on the Producer tier. The server checks that again when the link is saved. Names in the credits can stay in or come out, and contact details and rates never go on a link at all. A link is a snapshot of the day it was published: Update republishes over the same URL, and Unpublish stops it working for everyone. Messaging apps cache the preview card, so after an update the new card shows on new posts of the link.

No account to open
Sections chosen per link
Names on or off
Money off by default
Preview before it goes out
View count on each link
Publishing as
No account needed to open one

Share the Wrap

Make a link for each audience and pick what each one shows: a crew link for the group chat, a producers' link with the money on it. A link shows the shoot as it stands when you publish. Contact details and rates are never on one.

New link
On the page11 of 13
Producers' figures. Off unless you tick them.
BackdropThe glow behind the page and its cards.
What a feed shows before anyone taps
Harrow Lane Pictures · Mar 2 – Mar 20, 2026
Low Tide at Kessler Point
That's a wrap.
15
shoot days
84
people
73 5/8
pages
6
locations
13571013
Int day 32Ext day 13Int night 10Ext night 5Morning 2Evening 4
MADE WITH G-CASPER PRO

Messaging apps and social sites cache previews. After an update, the new card shows on new posts of the link.

The Wrap Party

Once the last shoot day's call sheet has gone out and that day has run its full length, the next person to open the show gets slates and confetti, a card that says That's a wrap, and a button into the Wrap. The length of the day is the Avg Day Shoot Duration from Globals, counted from general crew call on the production's clock. Gone out means sent by email or SMS, or the recipients copied or drafted to from your own email app. The party shows once per production in each browser, and stops being offered 60 days after the wrap, so opening an old show next year does not set it off. Opening a shared link throws one too.

Waits for the last sheet
Waits for the day to end
Once per production
Reduced motion respected

Wrapping a Show Soon?

The Wrap builds itself from the call sheets and reports you send every day in G-Casper Pro. Join the waitlist and your next show gets one.