Every person on your call sheet,
tracked across every day.
Crew, cast, and background in one place.

Schedule your crew here. Mark who works which shoot days in one grid: turn on Checkbox Speed Schedule Mode, then click a cell, drag across a run, or Shift+Click to fill a rectangle. SW, W, WF and SWF work themselves out from where each day falls in the run. Pay columns sit beside the grid for producers, and Scheduling Only folds them away when you just need the days.

Each performer's deal sits on the Cast DOOD: daily, weekly, flat or Schedule F, and the rate. The rate menu lists the SAG-AFTRA minimums for each agreement, from the Basic Agreement down to the Short Project Agreement, and marks the figure with the agreement it came from. A Signed column tracks the deal memo. On the Company plan, more columns track the SAG contract, the long form and the loan-out letter, plus one you name yourself.

Rates, totals and Signed show for members on the Producer plan. The paperwork columns are Company. The weekly Exhibit G check is on every plan.

Toggle Ghost Mode before taking a screenshot or sharing your screen. Real names, phone numbers, and production details are replaced with placeholders. The call sheet structure stays intact. Turn it off and everything returns exactly as it was.