Two Tabs, One Report
G-Casper Pro splits the daily production report across two tabs. Both follow the day you have selected in the app, and both are on every plan, AD included.
| Tab | What it records |
|---|---|
| PR Front | Scenes shot in shot order, script figures, the day's times from Shooting Call to Last Man, film and media, cast worktime, stand-ins and background |
| PR Back | Crew IN, OUT and MPV by department, the transportation table, and Notes / Remarks |
It Starts From the Call Sheet
Open PR Front or PR Back on a day and the report already has that day's call sheet in it: the scenes, the cast, the background groups, the crew by department, the crew call and the meals. Drafted values show in grey italic until somebody types over them. Edits on the report stay on the report and never touch the call sheet.
Day and Total Production
The view bar at the top of both tabs switches between Day, the current report, and Total Production, a wall of mini reports for the whole show. Total Production shows which days are complete and which still owe a first shot, a wrap time or an OUT. Click one to open the missing cells.
What Reads From the Report
The PR Back times drive the money side. Hot Costs turns IN, OUT and MPV into hours, overtime and meal penalty costs. The Producer Dashboard counts Reports filed and flags the days still owed. Blank OUT times make both read low.
| Title | Name | In | Out | MPV | Work | Bud | Rate | Ovr(Undr) |
|---|---|---|---|---|---|---|---|---|
| DP | Mike Rodriguez | 6:00A | 7:30P | 13.0 | 12.0 | $82 | $164 | |
| 1st AC | Sarah Chen | 5:45A | 7:45P | 13.5 | 12.0 | $46 | $137 | |
| Gaffer | Tom Walsh | 5:30A | 8:00P | 14.0 | 12.0 | $50 | $200 | |
| Key Grip | Luis Ferrer | 5:30A | 8:00P | 14.0 | 12.0 | $50 | $200 | |
| Driver | Emile Dubois | 4:45A | 8:30P | 15.3 | 14.0 | $29 | $108 |
Printing
Print sits at the top of the sidebar on each tab. Screen-only helpers stay off the page: error flags, roster change flags, the drag handles and the row buttons.