Show or hide columns in crew, cast, and background grids based on what your production actually tracks. Drag to reorder. Add custom columns for production-specific data fields not in the default layout. Your column configuration persists and carries into PDF exports.
Hover the table and click the pencil at its top left, or right-click a column head. Drag rows in the panel to reorder, switch columns off, or rename them.
| SCENES | PAGES | SET & DESCRIPTION | D/N | CAST | NOTES | EST. | LOCATIONS |
|---|---|---|---|---|---|---|---|
4 | 2 3/8 | INT. BAILEY HOUSE - KITCHEN Mary tells George about the house. | D1 | 1, 2 | Practical stove | 1:30 | Stage 4 |
7 | 1 1/8 | EXT. MAIN STREET George runs past the bank. | D1 | 1 | Notes... | 0:45 | Backlot, Main St. |
15 | 1 4/8 | INT. MARTINI'S BAR George drinks alone. | D2 | 1, 5 | Playback | 1:00 | Stage 4 |
| TOTAL PAGES | 5 | Total Time Estimate | 3:15 | ||||
Add your production company logo, studio mark, and network or streamer logo to the call sheet header. Each logo slot is independent. Upload once and it applies to every call sheet day, every SMS link, and every PDF export for that production.


Hover to edit or resize. Toggle layout below.

Choose how compact the crew and cast call sheet sections appear. Commercial fits more whitespace and works well for smaller productions. Blockbuster compresses row height to near-zero vertical padding so a 300-person crew fits on a single printed page.
Add floating notice boxes anywhere on the call sheet front or back page. Use them for safety briefings, stage rules, EPK notices, weather advisories, or stunt day reminders. Drag to position, resize, format the text, and lock once placed. Templates give you a starting point for common notices.
| SCENES | PAGES | SET & DESCRIPTION | D/N | CAST | NOTES | EST. | LOCATIONS |
|---|---|---|---|---|---|---|---|
4 | 2 3/8 | INT. BAILEY HOUSE - KITCHEN Mary tells George about the house. | D1 | 1, 2 | Notes... | 1:30 | |
7 | 1 1/8 | EXT. MAIN STREET George runs past the bank. | D1 | 1 | Notes... | 0:45 | |
12 | 7/8 | EXT. TRAIN STATION - PLATFORM Harry steps off the train. | D2 | 1, 4 | Notes... | 0:40 | |
15 | 1 4/8 | INT. MARTINI'S BAR George drinks alone. | D2 | 1, 5 | Notes... | 1:00 | |
21 | 3 2/8 | INT. BUILDING & LOAN - OFFICE Potter makes his offer. | D3 | 1, 3 | Notes... | 2:00 | |
22 | 1 5/8 | EXT. BRIDGE Clarence jumps first. | D3 | 1, 6 | Notes... | 1:15 | |
| TOTAL PAGES | 10 6/8 | Total Time Estimate | 7:15 | ||||
Ghost Mode redacts all sensitive data: crew names, phone numbers, cast identities, and the production title. The call sheet structure, times, and scene schedule stay intact. Use it when presenting the call sheet at a pitch, on a conference screen, or when sharing a layout without revealing who is on the production.
| SCENES | PAGES | SET & DESCRIPTION | D/N | CAST | LOCATIONS |
|---|---|---|---|---|---|
4 | 2 3/8 | INT. BAILEY HOUSE - KITCHEN Mary tells George about the house. | D1 | 1, 2 | Stage 4 |
7 | 1 1/8 | EXT. MAIN STREET George runs past the bank. | D1 | 1 | Stage 4 |
12 | 7/8 | EXT. TRAIN STATION - PLATFORM Harry steps off the train. | D2 | 1, 4 | Stage 4 |
15 | 1 4/8 | INT. MARTINI'S BAR George drinks alone. | D2 | 1, 5 | Stage 4 |
| TOTAL PAGES | 5 7/8 | ||||
| ID | CHARACTER | CAST | STATUS | CALL |
|---|---|---|---|---|
| 1 | GEORGE | James Stewart | W | 6:30 AM |
| 2 | MARY | Donna Reed | W | 7:00 AM |
| 3 | POTTER | Lionel Barrymore | SW | 9:30 AM |
Every grid in G-Casper Pro works like a spreadsheet. Tab through cells, move with the arrow keys, undo changes, and copy-paste across cells without reaching for the mouse. Ctrl+1 to 7 jumps between tabs, and Cmd or Ctrl+K opens search. Press ? at any time to see the full shortcut list.
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